As the third film in the tetralogy, Persona 3: Falling Down faces all the challenges that the previous two movies have already struggled with. At the same time it’s now easy to take the impressive visuals and production design for granted – this look is now to be expected. In light of this I didn’t expect Falling Down to surprise me in the way it did, but the movie has several notable improvements over its predecessors, and the result is the best Persona 3 film yet.
Whilst widely regarded as one of the PlayStation 2’s best games, there’s also a sense that no one really knows what to make of Persona 3. In many ways it’s an accomplished title, and one of the underground hits that defined the final years of the PS2’s lifespan. But it’s also slow, repetitive and unrefined. It’s easier to define what’s bad about Persona 3 than what’s good about it, yet it is good. It must be good, they make movies about this game.
The Tatami Galaxy is highly ambitious. It’s also a huge success, and amazingly every experiment it tries seems to work. Simply listing everything great about it could take a while, but that sure won’t stop me trying. The characters rock, it is thematically and structurally complex, there are parallel universes and they are awesome. In eleven episodes it achieves a staggering amount, and leaves an incredibly powerful impression.