There’s really a lot to like about Uncharted 4. This is an adventure that jumps between genres in much the same way that Nathan Drake leaps between crumbling structures, swinging around on his grapple hook without a care in the world. You are shooting stuff, climbing stuff, solving puzzles and traveling the globe in search of treasure. It's a thrilling and cinematic ride that concludes the Uncharted series on a high note.
Read more"At some point I will sort out some of the older content on the site and tidy things up around here" – Me, September 2015
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In balancing retro aesthetic with modern mechanics, Hyper Light Drifter stands out as a notable success. Its striking visuals, open ended design and fast, punishing combat make for a unique experience, but the comparisons to other great videogames are also plenty. Think Fez meets Dark Souls meets The Legend of Zelda: A Link to The Past, and be very excited.
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Erased crafts its own special type of time travel that sits somewhere between Steins;Gate, Life is Strange and, Groundhog Day. It tells a story split between two timelines, and whilst it partially delivers as an exciting and intense thriller, what also stands out is how frequently Erased does something that feels weird and disjointed.
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Until Dawn is a well-crafted tribute to classic horror films such as Halloween, Scream, The Texas Chainsaw Massacre, A Nightmare on Elm Street and many more. In turning the premise of a slasher movie into a Heavy Rain style interactive adventure it largely succeeds, although shoehorning every cool idea from an anthology of Wes Craven and John Carpenter films into a single narrative doesn’t fully work.
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As the third film in the tetralogy, Persona 3: Falling Down faces all the challenges that the previous two movies have already struggled with. At the same time it's now easy to take the impressive visuals and production design for granted – this look is now to be expected. In light of this I didn't expect Falling Down to surprise me in the way it did, but the movie has several notable improvements over its predecessors, and the result is the best Persona 3 film yet.
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Whilst widely regarded as one of the PlayStation 2’s best games, there’s also a sense that no one really knows what to make of Persona 3. In many ways it’s an accomplished title, and one of the underground hits that defined the final years of the PS2’s lifespan. But it’s also slow, repetitive and unrefined. It’s easier to work out what’s bad about Persona 3 than what’s good about it, yet it is good. It must be good, they make movies about this game.
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The Tatami Galaxy is highly ambitious. It’s also a huge success, and amazingly every experiment it tries seems to work. Simply listing everything great about it could take a while, but that sure won't stop me trying. The characters rock, it is thematically and structurally complex, there are parallel universes and they are awesome. In eleven episodes it achieves a staggering amount, and leaves an incredibly powerful impression.
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It's Christmas again! Does that mean I've now got Persona 4 Dancing All Night? It sure does. Have a great day everyone, I'll be back very soon. If you're interested in some Christmas games, might I refer you to this post.
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Prior to its release I'll admit I was actually pretty excited for Rise of The Tomb Raider. Its predecessor, Tomb Raider (2013), was a great game, but also one with the potential to be expanded into an exceptional one. Unfortunately delivering meaningful progression is hard, and whilst Lara makes the same right moves she did last time, she also gets caught in a few traps when exploring the dangerous tomb of sequel making.
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